Requiem Aeternam – Destiny-Man (2010, ICorp)
- Requiem Aeternam
José Romero Sum – Vocals, Guitars, Bass & Keyboards
Fabián Redondo – Drums
Producers: Requiem Aeternam
Country: Originally from Uruguay, now based in the U.S.
Total Time = 50:05
Requiem Aeternam is a Progressive Black/Death Metal band that formed in Uruguay in 1995. The band has released two albums, ETERNALLY DYING (1998) and PHILOSPHER (2004), while enduring various personnel changes over the years with only José Romero Sum as an original member. For DESTINY-MAN, Sum and drummer Fabián Redondo were the songwriters and performers…..an extremely hard but rewarding task when you hear the wall of intricate sound the album contains. Requiem Aeternam defines their music as “Philosophical Metal”, a genre “which entails not only philosophical lyrics, but also music that gets intertwined with philosophical thinking, music that has existential meaning, and not simple imitation of already-known patterns of composition.” Each song on DESTINY-MAN is inspired by Classical composers who many may not think of as philosophers but the band thinks of as deep thinkers of music. Just reading the press release gives you a sense that the album is diverse and unique.
I went into this album with a hint of trepidation because I’m not the biggest fan of Black/Death Metal. One of my goals in the last year was to expose myself to more extreme forms of Metal and that has helped in my enjoyment and appreciation of DESTINY-MAN. The opening acoustic intro, ‘Exordium’, has a beautiful sound that moves right into the Yngwie-styled guitar intro to the title track. Despite the blastbeat drums and guttural vocals, the guitar intro is what captured my interest and made me listen closely for the music underneath. Same thing with ‘Requiem Aeternam’, the opening guitar opened me up to the rest of the song and, dare I say, the music is more Traditional Metal/NWOBHM inspired through much of the album until the vocals kick in. Throughout the balance of the record, a frantic and disjointed style begins to emerge but all within the concept of blending the extreme with Classical and with Progressive. My own personal tastes are suited to the Classical influence mixed with the Progressive Metal and I get a little lost with the brutal aspects. ‘Freewill’ is a solid song and I like the blend of styles but I find the extreme vocals distracting, I did like the clean vocals and thought they fit the song a little better. The instrumentation on ‘Existence’ is really well done and the guitar sound is really clean, very Iron Maiden in some parts to my ears. Another standout song I liked was ‘Ser’…..again, solid guitar work and I like the clean vocals. The guitar has that Maiden quality to it at times and the lack of blastbeat drums are a welcome sound, there seems to be more of groove here rather than trying to smash two different forms together to construct a song.
DESTINY-MAN is an ambitious album that blends the extreme to the fine form of Classical and the Metal of Progressive and I think, on the whole, Requiem Aeternam accomplished their goal of defining a new genre of Philosophical Metal because the music does make you focus and think. I’m not as well studied in Black & Death Metal as others may be but I do know my Traditional and Progressive Metal and those are the parts of the album that I enjoy most. Most of the best Metal is based on Classical music, I can hear the Rainbow & Yngwie Malmsteen influence, and I can definitely hear the Progressive styles of Iron Maiden & Dream Theater, I just find the vocals and the drums distracting. That’s not to say they aren’t well done, it’s just that I’m not used to them. Overall, I found a lot of interesting music on DESTINY-MAN and I had to go back and give the album a few spins to really absorb what the band is trying accomplish. That’s the whole point, isn’t it? Metal to make you think? I enjoyed this album more than I thought I would and I’ve gone back a few times to see if I missed anything, I’m just not sure if my doubts are based on my inexperience with harsher Metal.
‘Freewill’ & ‘Ser’