Saints Of The Undergrond – Love The Sin, Hate The Sinner (2008, Warrior Records)
- Dead Man Shoes
- Tomorrow Never Comes
- All In How You Wear It
- Good Times
- American Girl
- Signs Of Life
- Moonlight Mile
Jani Lane – Lead Vocals
Bobby Blotzer – Drums
Keri Kelli – Guitars
Robbie Crane – Bass
Chuck Wright – Bass
Rick Flores – Keyboards
Produced by: Bobby Blotzer, Keri Kelli, & Jani Lane
Total Time = 36:40
Saints Of The Underground MySpace page
Sometime back in 2005, I read an article online that reported that this “supergroup” had begun preliminary work on a record. First thing I remember coming to mind was: “Is this a supergroup?”. You’ve got two big names in Warrant frontman Jani Lane and Ratt drummer Bobby Blotzer but would the average Hard Rock fan even know who guitarist Keri Kelli (Alice Cooper’s band) and bassist Robbie Crane (ex-Vince Neil, current Ratt) are? Even if this was the late ’80s/early ’90s, I’m not sure this would be considered a “supergroup”. Immeadiate comparisons to the ill-fated 1992 Contraband project come to mind, especially since Blotzer was involved in that one too. The other thought was when would Jani Lane’s personal demons force the project to implode and be abandoned? I’ll admit that when I put this CD in the stereo I really wasn’t expecting all that much. Turns out that this project is pretty good.
Opening track ‘Dead Man’s Shoes’ is a solid Hard Rock tune with a great gritty vocal by Jani Lane and a melodic hook that really gets the album off to a rockin’ start. The song goes back to Bobby Blotzer’s 2002 project, Twenty 4 Seven, with John Corabi & Robert Marcello. ‘Tomorrow Never Comes’ keeps up the pace with another solid vocal by Jani and some cool guitar from Keri Kelli. I’ve never really heard much work from Kelli but what I’ve heard two songs in was pretty good and he also shines on ‘All In How You Wear It’. The opening riff from Kelli sounds very Guns ‘N Roses and it gives the song a sleazy feel when added to Lane’s dirty vocals. It’s easy to notice that Mr. Lane’s voice seems to have gotten lower as he’s aged, making him sound stronger and harder than his glory days in Warrant.
‘Good Times’ is the second song taken from Blotzer’s Twenty 4 Seven project and continues with the melodic Hard Rock while ‘Exit’ is a little lighter and more Pop-oriented. I’m not sure why the band decided to cover Tom Petty’s ‘American Girl’…..lack of original material maybe? It’s a good straight on version of the song but, with two Blotzer songs already recycled, wouldn’t original material be better served? One thing I noticed is that the drumming is a little heavier by Blotzer here than on the original but the song as a whole is still spot on. ‘Signs of Life’ continues the pure Hard Rock with a heavy mid-paced groove that, along with Lane’s vocal, sounds similar to Warrant circa the DOG EAT DOG/ULTRAPHOBIC/BELLY TO BELLY (1992/95/96) era.
‘Bruised’ is probably the heaviest song on the record with the Blotzer/Crane rhythm tandem in top form and Keri Kelli laying a solid guitar foundation for Lane to sing over. I still can’t get over Lane’s performance, absolutely much better than expected. Cover #2 (or #4 if you count the two Twenty 4 Seven songs) is of the Rolling Stones track ‘Moonlight Mile’. It’s decent, I like the acoustic guitar but I’ll stick with the original by Mick, Keith, & the boys. Last song is ‘Jimmy’, an interesting song that sounds like a Thin Lizzy tune. A little research finds that ‘Jimmy’ is a Lane penned number from back in the beginning days of Warrant and now it finally sees a proper release on the Saints album. This is probably my favorite of the album with it’s ’70s groove and the best melodic guitar of the record/
I’m pleasantly surprised. Like I mentioned earlier, I expected this to be a disjointed fiasco based on what was going on with Jani Lane’s addivtive life but this album has Lane and company fully focused on bringing some decent Hard Rock to the fans. Jani Lane puts in a really solid performance with his vocal work and Keri Kelli puts some solid leads and solos down. The Blotzer/Crane tandem is solid after 10 years together in Ratt so they keep everything together nicely. My only disappointment is the covers and retreads: I’d have rather had fresh material than two cover songs and the recycling of an old Warrant song and re-recording of two Bobby Blotzer songs (from another project) makes things a little disjointed. The music is fresh to most ears but diehard fans will recognize the songs and may ask if this was a real band collaboration or just a quick one-off for a check. Still a solid album and one of the good surprises this year.
Favorite songs: ‘Dead Man’s Shoes’, ‘Jimmy’, ‘Bruised’, ‘Good Times’, ‘All In How You Wear It’