Gamma Ray – To The Metal! (2010, earMusic)
- Empathy
- All You Need To Know
- Time To Live
- To The Metal!
- Rise
- Mother Angel
- Shine Forever
- Deadlands
- Chasing Shadows
- No Need To Cry
Band Lineup:
Kai Hansen – Vocals & Guitars
Henjo Richter – Guitars & Keyboards
Dirk Schlächter – Bass
Dan Zimmermann – Drums
Additional Musicians:
Michael Kiske – Vocals on ‘All You Need To Know’
Producers: Kai Hansen & Dirk Schlächter
Country: Germany
Total Time = 48:22
Gamma Ray
Gamma Ray MySpace page
Gamma Ray – To The Metal! MySpace page
Gamma Ray is back again for 2010 with their tenth studio album, TO THE METAL! One of the things that has kept me a Gamma Ray fan over the years is that they’ve always produced solid albums with enough diversity to keep me interested. The band has never given up on it’s Helloween roots and Kai Hansen has written some furious Power Metal over the years with plenty of speed, melody and passion but, on the last couple of albums, the writing has leaned more towards a Traditional Heavy Metal style of Judas Priest and Accept. As Kai Hansen was quoted in the press relese: “Our target is to combine the traditional and modern sound without losing our identity.” With this latest album, Gamma Ray has done just that to the delight of some and the dismay of others.
Opening track ‘Empathy’ is more of a classic Heavy Metal song with a the chugging thump of Primal Fear and Judas Priest, Kai Hansen not reaching the highest heights vocally but using a lower register for a darker effect. The drum sound is thunderous, some of the fills sound huge. The second song in is the one that will get most fans talking because former Helloween lead singer Michael Kiske joins his old bandmate on ‘All You Need To Know’. This is the Gamma Ray that I know well, speed and power with a big hook at the chorus. To say this is a Helloween-ish track is an understatement especially when you have the two former members who fronted the band through the ’80s. ‘All You Need To Know’ had me with the opening riff and the chorus but I like how the song slows down just before the solo break and builds back up to speed…..one of the best tracks on the album. ‘Time To Live’ continues the Power Metal punch but the vocals don’t have as much power as I wish they would. If this were a Primal Fear song, Ralf Scheepers would just blaze vocally. The comparisons are inevitable between the Helloween/Gamma Ray/Primal Fear triumverate but I think that Hansen has lost a step vocally, at least on this song. It’s still a catchy song though and definitely a good fit for the album.
One of the themes surrounding TO THE METAL! is the celebration of Heavy Metal and no song covers this better than the title track. Unfortunately, this song is a blatant rip-off of ‘Metal Gods’ by Judas Priest…..listen closely to the rhythm riffs and the drum patterns, it’s ‘Metal Gods’ no question. Even the song title seems a little “done”, I went back and checked the entire Accept/U.D.O. discographies to be 100% sure that this title hadn’t been used before. It’s a perfect title for and U.D.O. song, isn’t it? Maybe that’s because Hansen sounds more like Udo as the years go by? The old Gamma Ray from the SOMEWHERE OUT IN SPACE (1997) days is back with the frantic riffing and double-kick of ‘Rise’. This the Gamma Ray that I’m used to because I really dig the first five albums. More Judas Priest influences are obvious in ‘Mother Angel’ and that’s not necessarily a bad thing because, if you are going to go for a more classic Heavy Metal sound, who better to emulate? ‘Mother Angel’ is a mid-tempo chugger that sounds really thick with guitars and keyboard flourishes (like Primal Fear) but the obvious weak link is Hansen’s vocal. It’s unfair to compare him to Scheepers but he was the original Gamma Ray singer and the current face of German Power Metal, the comparisons are ineveitable and Kai Hansen just doesn’t have the range and power on this track. It surprises me a little because Hansen can hit those highs but he’s opting for a gruffer and deeper range. Case in point is the machine gun ‘Shine Forever’, this is the Hansen that I’m listening for with a higher register. I like blazing guitars throughout and the chorus is big and layered, a great track!
A quick keyboard rhythm opens ‘Deadlands’ and the song builds to a heaviness but the keyboards sounds out of place when it’s right up front in the mix. There is another thick Priest main riff that reminds me of ‘Painkiller’ but that moves away as the melodic chorus drives in and puts the hooks in. That’s the key here….the speed Gamma Ray and the traditional Gamma Ray are both coming across but it’s the melodic choruses that are making the songs memorable and singable. ‘Chasing Shadows’ is another powerful song with serious riffs and double-kick pounding, this is the older Gamma Ray, the faster Gamma Ray. Even Kai Hansen sounds like he went back a few years vocally. The band leaves the longest song for last with ‘No Need To Cry’. The opening piano and ocean waves effects add some atmosphere to Hansen’s good vocal but this song is a bit of a letdown…..why end a powerful album like this with a ballad? If this were sequenced in the middle of the record I might like it a lot more. You can definitely hear a Queen, Yes and a Who influence to the music and the song tries to come off as grand epic. Listen for the acoustic guitar break halfway through with the multi-tracked background vocals…..the guitar is Pete Townshend and the vocals sound like Yes. An interesting song for sure but not a way to end this kind of album.
Bottom Line:
When I spun this CD for the first time, I really wasn’t sure what to think. Like I mentioned, the Gamma Ray I started with was the early Gamma Ray that was full of power and speed, like Helloween, specifically SOMEWHERE OUT IN SPACE. I have been looking for that kind of album from Gamma ray for a few years but I have accepted that the band is trying to diversify it’s sound to keep things fresh and move with the times. I have no problem with the band going for a more traditional Metal style, that’s what today’s Power Metal scene is about. The problem is that Primal Fear has taken the torch from Gamma Ray as one of the genre’s leaders and it sounds like Hansen and company are playing catch up. I’ve had this album since the beginning of January (the European release was earlier than the U.S.) and I have given this daily spins because I always come away feeling like I’ve missed something. The problem is that I’m not expanding my own ideas of what the Gamma Ray sound should be. The traditional style mixed with the Speed Metal they are known for works but it takes some getting used to. A solid album overall, just a little different and I think it would sound better with a better singer.
Favorite Songs:
‘Empathy’, ‘All You Need To Know’, ‘Time To Live’, ‘Shine Forever’, ‘Chasing Shadows’













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3 Inches Of Blood – Battlecry Under A Winter Sun (2009 reissue) – $9.99: I have become a really big 3 Inches Of Blood fan in the last couple of years and I have spent that time searching for this CD. Unfortunately, the original version on Minion Music is long out of print and the band cut a deal with
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.38 Special – Rockin’ Into The Night (1979) – $4 used: I like me some Southern Rock and .38 Special has been a favorite of mine since I heard ‘Hold On Loosely’ (from WILD-EYED SOUTHERN BOYS) back in 1981. I don’t know what it is about .38 Special but I always make sure I look at their section for a couple of the missing albums I need. Never heard any of the tracks except the hit title track but I know the overall .38 Special sound and I’m sure it follows the triple guitar/dual drum kit, country-fried Classic Rock that they are well known for.
W.A.S.P. – Dying For The World (2002) – $5.35:
Torch – s/t (1983) – $22.50: This one got a little expensive because I got into a bidding war in the last hour. The good news is that the average ending price at auction hovered around $20-$30 in the last couple of months so I really paid a decent price. I remember a few years ago I was trying to grab this one on Ebay and I wouldn’t go over $15 for it and I left it on my Want List. I already have the Torch E.P. (1982) on CD and
Gamma Ray - Hell Yeah! The Awesome Foursome – Live In Montreal (2008) – $8: I already had the 2 DVD set so getting the companion double live CD just keeps the gamma ray collection up to date. I really had no intention of even buying this CD but I noticed that my favorite Ebay seller had this up for auction, brand new and starting at $5. I high bid to $10 but no one even challenged my bid and I ended up winning for $5. A 2 CD set for $5? Bargain city!
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Gamma Ray – Hell Yeah!!! The Awesome Foursome – Live In Montreal 

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Gamma Ray – Land Of The Free II (2007): LAND OF THE FREE II was released in 2007 in Europe and Japan, we had to wait until January in the U.S. I picked up the European version in January from a CD sale at the local record store the same day the album was officially released here in the States. Is there really any difference? Nothing bothers me more than when a CD gets released eveywhere else and we have to wait a few weeks, or months, for a proper U.S. release. It’s either that or buy the import! It’s an excellent Power Metal record by one of the best in the genre but it seemed to get lost in my playlist with all the new albums coming out.
King Diamond – Give Me Your Soul…Please (2007): Nothing can beat a new King Diamond album and I passed on this one too many times in 2007. Not sure why because it was on my list all year long and I just kept leaving it the racks. I bought this CD the same day I bought the Gamma Ray disc at a really good price and playing this regularly over the last year got me to fill some of the King Diamond/Mercyful Fate holes in my collection.
Nightwish – Dark Passion Play (2007): I have never been a big Nightwish fan because of the Opera style vocals of former vocalist Tarja Turunen but I had a couple of their CDs. Nightwish split with Tarja and the news wasn’t taken lightly by many of the band’s fans. When the band announced that former Alyson Avenue vocalist Anette Olzen would replace Tarja, I knew that it was a great move. I liked Alyson Avenue a lot and Olzen’s style is more to my liking. This is another one of those albums that had an international release in 2007 but a U.S. release in 2008. I ended up grabbing the last sale copy of the collector’s edition that included an expanded booklet and a 2nd CD of orchestral versions of the album.
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