Reissue Report: Black Sabbath – Paranoid (1970) to be reissued by Universal Music on double vinyl & 3 CD Deluxe Edition on September 29th

From Bravewords:

BW&BK have received the following press release:

Throughout the history of rock some albums are considered to be historic works either for breaking a new sound or transforming a little known band into Icons of their genre.

IRON MAIDEN’s debut album, METALLICA’s Black Album, LED ZEPPELIN’s IV and BLACK SABBATH’s Paranoid are just four legendary albums of a list of possibly only 10 or 12 masterpieces.

On September 29th, Universal Music are issuing Black Sabbath Paranoid on Double Vinyl and a Deluxe 3CD Set.

Paranoid is the second album by the British heavy metal band Black Sabbath. It was released in the United Kingdom during September 1970, and contains some of their most famous work, including the songs ‘Iron Man’, ‘War Pigs’ and the title track. The album is regarded as a classic of the heavy metal genre and one of the most influental heavy metal albums. It has been certified 4x Platinum, having sold over four million copies in the US alone, making it Black Sabbath’s best-selling album.

The ‘Paranoid’ single, released before the album, reached number four in the UK. Pushed by its success, the album hit number one in the UK, and is the only Black Sabbath album to have done so. The US release was held until January 1971, as the Black Sabbath album was still on the charts at the time of Paranoid’s UK release. The album broke into the top ten in the US in March 1971, and would go on to sell four million copies in the US alone, with virtually no radio airplay.

Tracklisting for the rerelease is as follows:

Disc 1 (Original Album):
1. ‘War Pigs’
2. ‘Paranoid’
3. ‘Planet Caravan’
4. ‘Iron Man’
5. ‘Electric Funeral’
6. ‘Hand Of Doom’
7. ‘Rat Salad’
8. ‘Fairies Wear Boots’

Disc 2 (1974 Quadrophonic Mix):
1. ‘War Pigs’
2. ‘Paranoid’
3. ‘Planet Caravan’
4. ‘Iron Man’
5. ‘Electric Funeral’
6. ‘Hand Of Doom’
7. ‘Rat Salad’
8. ‘Fairies Wear Boots’

Disc 3 (Previously Unreleased Bonus Tracks):
(Tracks 1-8 recorded at Regent Sound Studios, June 16th and 17th, 1970)
1. ‘War Pigs’ (instrumental)
2. ‘Paranoid’ (alternative lyrical version)
3. ‘Planet Caravan’ (alternative lyrical version)
4. ‘Iron Man’ (instrumental)
5. ‘Electric Funeral’ (instrumental)
6. ‘Hand Of Doom’ (instrumental)
7. ‘Rat Salad’ (instrumental)
8. ‘Fairies Wear Boots’ (instrumental)

Motörhead – Motörizer (2008)

Motörhead – Motörizer (2008, SPV)

  1. Runaround Man
  2. Teach You How To Sing The Blues
  3. Where The Eagle Screams
  4. Rock Out
  5. One Short Life
  6. Buried Alive
  7. English Rose
  8. Back On The Chain
  9. Heroes
  10. Time Is Right
  11. The Thousand Names Of God

Band Lineup:
Lemmy Kilmister – Vocals & Bass
Phil Campbell – Guitars
Mikkey Dee – Drums

Producer: Cameron Webb

Total Time = 39:04

Motörhead official website
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(NOTE: The album cover has changed and the four skeletons have been taken out. This is the first Motörhead album cover that does not feature the work of artist Joe Petagno)

The release of MOTÖRIZER marks Motörhead’s 20th studio album. Think about that for a minute…..since 1975, Motörhead has released twenty studio albums. Talk about longevity! Without attaining platinum success, Motörhead has always maintained the same basic successful formula for making Heavy Metal music: play loud, fast, hard, and nasty. So what does Lemmy Kilmister, Phil Campbell, & Mikkey Dee have in store on MOTÖRIZER? Well, basically the same thing they’ve done for over 30 years: pure, hard Rock ‘n’ Roll.

Two things of note right away: Mikkey Dee is still a powerhouse behind the drum kit with that pounding attack and Phil Campbell is a guitarist that no one ever talks about as one of the greats. His buzzsaw sound is as prominent as ever but he also has more great solos on this album. Lemmy always gets a ton of press and credit of course, he IS the band and he is a Metal icon, but there would be a very different Motörhead without Phil & Mikkey.

The first song is ‘Runaround Man’ that kicks off the album in high gear with it’s driving beat and guitars along with Lemmy’s unmistakable growl. Same thing can be said for ‘Teach You How To Sing The Blues’ and ‘When The Eagle Screams’ but both of these songs seem “slower”. Both are still fast rockers but the arrangement gives both a less frantic pace. The band has finally made a sequel to the classic ‘Ace Of Spades’ with ‘Rock Out’ even if the song’s title sounds a bit too cliché. ‘Rock Out’ has a very similar main riff and drum pattern to it’s 28 year old counterpart and it also has probably the clearest vocal Lemmy put on this album. It’s a good fun song that reminds me of the classic early days of the band, only Lemmy can get away with the line “Rock out, with your cock out!”…..priceless! It does sound a little clean, not as dirty as the other songs so far. I’m surprised this wasn’t chosen as the first single (‘Runaround Man’ was), it just seems like the logical choice.

The band stops the pummelling for a heavy Blues groove on ‘One Short Life’ but the song seems to run on and on without really going anywhere. There’s always one of these slower methodical plodders on a Motörhead record so it’s expected. ‘Buried Alive’ re-starts the assault with some inspired drumming from Mikkey and a solid, almost ’80s styled, solo break from Phil. The main guitar riff is a buzzsaw, add Lemmy’s bass on top and it’s really cuts. Lemmy starts ‘English Rose’ with a quick vocal intro without instruments…..man, does he sound like he gargles with Drano! ‘English Rose’ has a, dare I say, melodic feel to it. It definitely sounds a bit dated but all Motörhead songs sound that way because they never deviate from their formula. I like it, I’d pair it with ‘Rock Out’ for that “old school”/’80s trip back in time. ‘Back On The Chain’ sounds like the band has found a more modern direction but all I can think of is Dave Grohl (Foo Fighters)and Josh Homme (Queens Of The Stone Age), this is a song they would put out!

‘Heroes’ is a song about war for the many who have served in the armed forces. It’s another plodding mid-paced (for Motörhead) number that really has some great guitar work on it while Lemmy sounds as rough as he ever has when he tries to blend in his “melodic” style with his spoken word gruffness. The chorus is a bit too simple but this really isn’t rocket science, simple and basic works well for Motörhead. The pace speeds up again with ‘Time Is Right’ but it sounds all too familiar, it’s been done before. The closer is one of the best on the record…..’The Thousand Names Of God’ has a thick main riff, with a few squeals from Campbell here and there. Lemmy’s vocal is really gritty and the lyrics offer Lemmy’s classic turn of phrase and wit.

Bottom Line:
A Motörhead album is a Motörhead album, there really isn’t much difference between all of them. The music is a serious blend of Punk, Metal, and Blues with buzzing guitars, solid drumming, and that hard bass sound. Add Lemmy’s scratchy vocals with lyrics filled with wit, humor, and social commentary and you get the usual brand of dirty Rock ‘n Roll that the band has created since 1975. MOTÖRIZER is a solid album that has a couple of fillers but sounds fresh overall. It’s hard to sound fresh when you do the same thing almost every time but Motörhead’s indifference to change is what makes it all sound so good, just like AC/DC.

Favorite Songs: ‘English Rose’, ‘Rock Out’, ‘The Thousand Names Of God’, ‘Buried Alive’