Queensryche – American Soldier (2009)

Posted in Album Reviews with tags , , , , , , , , , , , , , on November 9, 2009 by rhodeislandrock

queensryche_americansoldier

Queensryche – American Soldier (2009, Rhino Records)

  1. Sliver
  2. Unafraid
  3. Hundred Mile Stare
  4. At 30,000 Ft.
  5. A Dead Man’s Words
  6. The Killer
  7. Middle Of Hell
  8. If I Were King
  9. Man Down!
  10. Remember Me
  11. Home Again
  12. The Voice

Band Lineup:
Geoff Tate – Vocals & Horns
Michael Wilton – Guitars
Ed Jackson – Bass
Scott Rockenfield – Drums

Additional Musicians:
Emily Tate – Vocals on ‘Home Again’
Jason Ames – Vocals on ‘Sliver’ and ‘If I Were King’
A.J. Frato – Vocals on ‘Sliver’
Vincent Solano – Vocals on ‘A Dead Man’s Words’
Randy Gane – Keyboards
Kelly Gray – Guitars
Damon Johnson – Guitars

Producers: Jason Slater & Kelly Gray

Country: USA

Total Time = 60:31

Queensryche
Queensryche MySpace page
Rhino Records

I have been a fan of Queensryche since the beginning. I remember hearing the QUEENSRYCHE E.P. (1983) and THE WARNING (1984) on a local record store turntable when they came out and I remember waiting in line for EMPIRE (1990). Queensryche has been a band I have followed for a long time…..but time has taken it’s toll! I loved every album through PROMISED LAND (1994) and I rush out to get HEAR IN THE NOW FRONTIER (1997) when there was a resurgence in Metal with all the reunions. By ‘97, the band’s sound had changed, especially Geoff Tate’s voice, to a more modern and darker sound. Gone were Tate’s soaring vocals and blistering guitar solos, instead we got a more subdued Queensryche, concerned more with the storytelling of concept albums and a modern sound. There has still been good songs on some of their later records but the last three studio albums (including 2006’s OPERATION: MINDCRIME II) and the TAKE COVER (2007) covers album (that I actually liked) have left a bitter taste with most fans. So can Queensryche make us believe again? Personally, I wasn’t sure. I ran out and bought the album the day it came out in March but I didn’t really give it much of a listen. I think I was prejudging the album based on previous poor efforts but I’ve given this more time and the album has grown on me.

AMERICAN SOLDIER is another concept record, this time centered around the experiences of U.S. soldiers during war. Geoff Tate spent months interviewing veterans of WWII, Korea, Vietnam and the Middle East conflicts to get a better understanding of how a soldier thinks and how war effects them. Obviously, this topic is actually relevant to the times we live in. Queensryche believes in a certain formula and conceptual albums are what they will probably continue to do. I wasn’t sure if another concept album would be the formula for success considering every album gets compared to the landmark OPERATION: MINDCRIME (1988). The other concern was the sound. The band abandoned Heavy Metal a long time ago for a darker, layered, modern Progressive Rock sound that has more to do with multi-dimensional mid-tempo epics than an all-out Metal assault. For me, I liked the album concept but I wasn’t sure how it would translate musically because Heavy Metal and war usually go hand in hand with a more brutal sound.

I was right about the overall sound. Most of the songs fall into the epic mid-tempo and ballad category with an emphasis on multi-layered instruments and orchestrations. Tate’s voice retains his post-EMPIRE sound with his lower register being the focal point instead of his high screams. I think Geoff Tate has lost a little as far as range (see the band in concert to see what I mean) but he still has a strong singing voice that suits the material well. For this concept and these songs his voice is a perfect fit…..it has that low, dark, brooding sound that comes alive with a few higher flourishes here and there. For once in a long time, I think Tate has done a solid job. The songs’ music falls into a progressive style with a lot of different layers but simpler than say a Dream Theater or a Shadow Gallery, it’s almost like Queensryche is going for a harder, more epic Pink Floyd style. There’s plenty of guitars, bass and drums but there is orchestration and strings, as well as, spoken word and voiceovers from veterans and soldiers. Even Geoff Tate adds in his saxophone playing to a few songs!

Because there is a set formula, most of the songs on AMERICAN SOLDIER sound the same. ‘Sliver’ starts the album out with a modern sound and ‘Unafraid’ sounds definitely like Hard Rock but the song is made up mostly of sound effects and voiceovers from soldiers. I like ‘Unafraid’ because it lends a personal element to the song/album with the soldiers’ voices, the chorus is simple but one of the heavier ones on the album. The slower epic style begins with ‘Hundred Mile Stare’, a song that I find repetitive but decent, and ‘At 30,000 Ft.’, probably my favorite song of the album. ‘At 30,000 Ft.’ is about pilots delivering their payload and being high above the skynot seeing the carnage that results. It’s a very peaceful ballad styled song that contrasts the subject matter perfectly and moves into a harder edge with the bridge and chorus. You can almost feel the emotion of a pilot alone in the sky simply flying and pressing a button to unload bombs, never seeing what happens when they hit the ground. Best song on the album. A close second would be the haunting ‘Dead Man’s Words’, it’s almost hypnotic in it’s brooding dark delivery.

‘The Killer’ is an uptempo modern Rock song that could have easily come from Q2K (1999) or TRIBE (2003) but it’s a little repetitive for me, it sounds like the rest of the album. Same thing with ‘Middle Of Hell’ with it’s almost soothing trippy sound that contrasts with the subject matter and song title, it’s almost like experiencing battle in slow motion? ‘If I Were King’ has more soldier voiceovers starting the song by telling the horrors of seeing a buddy die in combat. The song stays in that mid-tempo/ballad style Queensryche has perfected with the guitars and tempo getting heavier just for the chorus. ‘Man Down!’ is almost a repeat of ‘If I Were King’ with the soldier voiceover starting the track but this is actually the heaviest and better songs on the album! It reminds me of parts of HEAR IN THE NOW FRONTIER or Q2K, definitely a welcome sound to hear a heavier uptempo song. Usually the ballads are used to break up the hard rocker, Queensryche flips that formula for better or worse. ‘Remember Me’ is another ballad with a soldier voice over to start the song, it’s too similar to other songs on the album. Same thing wirth ‘Home Again’, another quick spoken word intro but this song is the best ballad on the album. Geoff Tate’s daughter Emily makes her vocal debut on this song and it fits well with the image of a father and daughter exchanging letters while he is stationed away at war. Definitely one of the more emotional and beautiful songs on the album, this would be a single if this were back in the late ’80s/early ’90s. It’s definitely one of the more mellow songs on the album, as well as one of my favorites. I have two daughters, and I have two nieces who lost their dad during combat times, so it tugged on the heartstrings for me. Last song is ‘The Voice’ and it is thick with orchestration and sounds like the other epics on the album…..it’s a decent song with some heavy guitar flourishes but not enough to make it stand out.

Bottom Line:
My review above may not reflect it but I actually enjoyed AMERICAN SOLDIER, the first Queensyrche album I have liked since 1997. I have given the album a serious critical listen and also just let the album play. Sometimes you can hear something you missed if you just let the album play in the background and flow rather than sit on top of the stereo and pick out every detail! If you are expecting the Metal version of Queensryche and go looking for it in AMERICAN SOLDIER then you will be disappointed. If you just play the record, forget old songs like ‘Queen Of The Reich’ and ‘Take Hold Of The Flame’, and let the music flow then you might appreciate the album more. The Queensryche we knew was great but they are never coming back, the Queensryche of today still makes good music but it’s just different…..slower and layered. I think that more people will like this album if they forget about the old Queensryche sound and OPERATION: MINDCRIME. One of the major problems the band has had has been songwriting and the concept of seeing war through soldiers’ eyes is a good one. The songs are good although some are repetitive in style and the music is definitely epic and grand with plenty of different styles. Overall…..a better effort than I expected but not much Metal. Definitely worth a try, the album continues to grow on me and  I enjoy it more as a full album as I hear it.

Favorite Songs:
‘Unafraid’, ‘At 30,000 Ft.’, ‘Dead Man’s Words’, ‘Man Down!’, ‘Home Again’

Spinal Tap – Back From The Dead (2009)

Posted in Album Reviews with tags , , , , , , , , , , , , , on November 8, 2009 by rhodeislandrock

Spinal_Tap_Back_from_the_Dead

Spinal Tap – Back From The Dead (2009, The Spuzzle Group)

  1. Tonight I’m Gonna Rock You Tonight
  2. Back From The Dead
  3. (Funky) Sex Farm
  4. Rock ‘n’ Roll Creation
  5. Jazz Oddyssey I
  6. Gimme Some Money
  7. Rock ‘n’ Roll Nightmare
  8. Heavy Duty
  9. America
  10. Jazz Oddyssey II
  11. (Listen To The) Flower People (Reggae Stylee)
  12. Hell Hole
  13. Big Bottom
  14. Celtic Blues
  15. Jazz Oddyssey III
  16. Warmer Than Hell
  17. Stonehenge
  18. Short And Sweet
  19. Cups And Cakes

Band Lineup:
Nigel Tufnel (Christopher Guest) – Lead Guitar, Mandolin, Sitar & Vocals
David St. Hubbins (Michael McKean) – Lead Vocals, Guitars & Piano
Derek Smalls (Harry Shearer) – Bass & Vocals
“Caucasian” Jeffrey Vanston (C.J. Vanston) – Keyboards
Gregg Bissonette – Drums

Producers: C.J. Vanston

Country: United Kingdom

Total Time = 66:11

Spinal Tap
Spinal Tap MySpace page

Spinal Tap is back celebrating the 25th anniversary of the This Is Spinal Tap documentary with a new album, BACK FROM THE DEAD and tour. BACK FROM THE DEAD follows the current trend of bands re-recording new versions of their old hits and adding a few new songs but to make this album really special Spinal Tap put out an elaborate package that included a bonus DVD and a digipak that folds out into a diorama of the band performing on stage with the famed Stonehenge. It’s actually a pretty cool concept but I haven’t pulled the diorama together!

If you have the This Is Spinal Tap movie soundtrack then you know what the original songs sound like. The re-recorded versions are almost identical to the originals with a couple of exceptions: ‘Sex Farm’ has tuned into ‘(Funky) Sex Farm’ with the obvious Funk beat and ‘(Listen To The) Flower People’ has received a Reggae treatment. Spinal Tap has never been a band without fun so these new versions are very cool, especially ‘(Funky) Sex Farm’ with it’s horns and deep voiced background vocals. A surprise appearance of ‘Jazz Oddyssey’ is included on this record also…..but in three parts. ‘Jazz Oddyssey’ was performed briefly during the film but now all Tap fans can rejoice by having the entire work (written by bassist Derek Smalls) on one album…..in three parts. The five new songs fit in well with the band’s classics: ‘Back From The Dead’ was a digital single from 2000, ‘Warmer Than Hell’ was released online also but in 2007, and both are big sounding Rock songs as is ‘Rock ‘n’Roll Nightmare’. ‘Celtic Blues’ is an A capella song that has a quick bit of band discussion at the end and is the shortest song on the album clocking in at 1:25 while ‘Short And Sweet’ turns out to be the record’s epic at 6:35 and has a late ’60s/early ’70s Blues/Rock ‘n’ Roll sound and some long solos! It’s all a lot of fun and pure Tap!

Bottom Line:
If you’ve seen the movie then you get the joke…..but the band is quite serious. I still watch This Is Spinal Tap on DVD regularly and I bust out my cassette copy of the movie soundtrack for some plays in the car (it’s one of my last cassettes!) so the classics are always good to hear and these new versions are almost identical save for a couple fun changes. The five new songs fit in perfectly and have the same Spinal Tap sound and direction. If you haven’t seen the movie…..watch it. If you’re familiar with the movie and haven’t picked up the soundtrack then pick this up and get a solid overview of Spinal Tap’s music plus some new material.

Favorite Songs:
Re-recorded Classics – ‘Tonight I’m Gonna Rock You Tonight’, ‘(Funky) Sex Farm’, ‘Big Bottom’, ‘Hell Hole’

New Songs – ‘Back From The Dead’, ‘Rock ‘n’ Roll Nightmare’, Warmer Than Hell’

Jazz Oddyssey – I, II, & III

Twisted Sister w/Chain Drive, Woodland Creatures & View Of A Burning City in concert at the Plymouth Memorial Hall (Plymouth, MA) – 11/6/09

Posted in Concert Reviews with tags , , , , , , , , , , , , , , , , on November 7, 2009 by rhodeislandrock

Twisted Sister - 11-6-09

Twisted Fucking Sister!!!

Last night I took my daughter to Plymouth, MA to see her favorite band, and one of mine from back in the day…..Twisted Sister. I found out about the concert back in May and bought the tickets immeadiately because Twisted Sister really doesn’t play that many gigs each year. The show was originally scheduled for September 12 but a postponement due to injury brought us to last night at the Plymouth Memorial Hall.

There were three local opening bands before the main event: Chain Drive, Woodland Creatures and View Of A Burning City. I knew nothing about any of the openers but I kind of figured that they would all be Rock bands. Chain Drive was the first band to play and they were pretty good…..melodic Hard Rock played with a lot of energy and obvious talent. I was so impressed by their set that I meant to go to their merch table and pick up a CD if they had them…..unfortunately, I left right after Twisted Sister so I never got a CD. Good solid Hard Rock though, I can’t say enough about them. I noticed a DJ turntable onstage when we made it to our seats initially so I was a little worried that one of the bands was Rap-Rock or Nu-Metal and I was right. Woodland Creatures was like a bad Linkin Park/Papa Roach/Limp Bizkit imitation. I don’t like Rap-Metal so I didn’t care for any of the Rap music these guys pulled off. The shining moment of their set was when my section jointly gave them the finger…..the band was completely out of it’s element. Last band was View Of A Burning City and they were one of those screaming Hardcore/Metal bands that you couldn’t understand at all. They had the craziest bassist, who played in his black socks, that always looked like he was going to fall over! At least they were Metal of some sort and I did pick up their CD & T-shirt combo for $5…..yes, I said $5! Of all the openers the clear winner was Chain Drive.

Twisted Sister setlist:

Stay Hungry
We’re Not Gonna Take It
Burn In Hell
Horror-terria (The Beginning):
a) Captain Howdy
b) Street Justice
I Wanna Rock
The Price
Don’t Let Me Down
The Beast (w/drum solo)
S.M.F.

Encore:
Come Out And Play
30
Under The Blade
You Can’t Stop Rock ‘n’ Roll

Twisted Sister is celebrating the 25th Anniversary of STAY HUNGRY and they are doing what bands like Judas Priest and Motley Crue are doing by playing their iconic album in it’s entirety. What a show to see! Dee Snider said that, after this show in Plymouth, some of these songs would never be played again so it was a great performance to see. My daughter’s favorite album is STAY HUNGRY, and she knows it word for word, so singing along with Dee and my daughter was pretty cool. I forgot a few of the words but my daughter put on a flawless performance! So did the band! Twisted Sister ripped through all 10 songs off the album as if they were playing them back in 1984. The whole album was a highlight for me but finally hearing ‘Burn In Hell’, ‘The Price’ and ‘Stay Hungry’ live along with the Hard Rock anthems ‘I Wanna Rock’, ‘S.M.F.’ and ‘We’re Not Gonna Take It’ was mind blowing. Of course the band had the audience in the palm of their hands, there was a ton of energy coming from the audience. There were families, diehard SMFs, Metal fans, Goth rockers, Rappers and people that looked like they were out for dinner and a movie…..all these people were raising their fists and shouting “I wanna rock!” at the tops of their lungs.

The band left the stage after they finished the STAY HUNGRY seet but came back quickly for an awesome encore of three album title tracks and their new song ‘30′ (off the new STAY HUNGRY 25th Anniversary reissue), that Dee said had never been played live before. Very cool! My daughter was on edge when she knew Twisted Sister had a new song so she made sure I bought my STAY HUNGRY reissue and burned it into her iPod…..she knew the song better than anyone else besides Dee himself! I knew they would play ‘You Can’t Stop Rock ‘n’ Roll’ for the final song but it was a treat to get ‘Come Out And Play’ and ‘Under The Blade’. My daughter and I had our hopes up for some other classics like ‘Bad Boys (of Rock ‘n’ Roll)’ and ‘Destroyer’ from UNDER THE BLADE (1982) and ‘Be Chrool To Your Scuel’ from COME OUT AND PLAY (1985) but the band played a short set (14 songs) but a powerful one. I can’t complain about the set at all because it was like travelling back in time for me and it was a dream come true for my daughter. I left the arena last night with a new respect for a things Twisted Sister and became a bigger fan than I already was. If anyone has the chance to catch any of their shows, go for it! It may sound like I’m gushing about the show but it was seriously that great, probably one of the best shows I’ve seen in the last 10 years!

WANTED: Black Sabbath – Past Lives (2002)

Posted in Wanted with tags , , , , , , , , , , , , , on November 2, 2009 by rhodeislandrock

WANTED

Black Sabbath - Past Lives (2002)

Black Sabbath – Past Lives (2002)

I’ve been on a major Black Sabbath kick for two weeks now and I realized that this live album is missing from my collection. This is a 2 disc set featuring the unofficial LIVE AT LAST (1980) live album on the first CD and some other notable Sabbath live tracks on the second CD from the famed Paris 1970 show and Asbury Park, New Jersey 1975. I already have LIVE AT LAST on CD so what I want is the live tracks from the second disc. I’m not a big bootleg concert trader so I wouldn’t mind hearing some of the Paris 1970 show I’ve read about in Sabbath forums over the years. Plus, I can’t stand knowing that my Black Sabbath collection has a hole in it! There are 2 versions of the album: standard jewel case and deluxe limited edition digipak. The difference between the two is that the digipak offers different packagaing and graphics, a pull out poster and a guitar pick…..there is no difference in the music. I’ll probably pick up the jewel case version…..

Lita Ford – Wicked Wonderland (2009)

Posted in Album Reviews with tags , , , , , , , , , , , , , on November 1, 2009 by rhodeislandrock

Lita Ford - Wicked Wonderland (2009)

Lita Ford – Wicked Wonderland (2009, JLRG Entertaiment)

  1. Crave
  2. Piece (Hell Yeah)
  3. Patriotic S.O.B.
  4. Scream 4 Me
  5. Inside
  6. Wicked Wonderland
  7. Indulge
  8. Love
  9. Betrayal
  10. Scared
  11. Truth
  12. Everything
  13. Bed
  14. Garden (bonus track)
  15. Push (bonus track)

Musicians:
Lita Ford – Lead Vocals & Lead Guitar
Jim Gillette – Vocals
Greg Hampton – Bass, Synth, Rhythm Guitar
Stet Howland – Drums
Chris Collier – Drums (tracks 1 & 11)

Producers: Lita Ford, Jim Gillette, Grag Hampton

Country: USA

Total Time = 65:35

Lita Ford
Lita Ford MySpace page

I have been a Lita Ford fan since the ’80s so I was pretty psyched to hear that she was finally going to make a new album after 14+ years since she released BLACK (1995). Where has Lita been? She’s been living in the Caribbean and raising a family with her husband Jim Gillette (lead singer of Nitro). Lita’s been out of the spotlight for years, even turning down offers to do VH-1 reality shows! The only thing that had me interested in this comeback was her appearance on Twisted Sister’s A TWISTED CHRISTMAS (2006) dueting on ‘I’ll Be Home For Christmas’. Outside of that, my only interest in Lita was getting some of here older albums on CD to fill the holes in my collection. When I heard that we were getting a new album, I was pretty psyched. I still like most of Lita’s older albums like DANCIN’ ON THE EDGE (1984), LITA (1988) and STILETTO (1990) so I was hoping we would get a new album that kind of reflected that signature sound.

So I put WICKED WONDERLAND in the stereo and I was shocked at how different Lita’s sound has become. I have nothing against artists/bands updating their sound to be more modern or relevant but there usually is an underlying part of their classic sound. Typical Lita Ford fans, and your average Hard Rock fans, are going to expect some of that popular ’80s Hard Rock sound that made Lita the success she is. Not on this album! Lita and her husband Jim have taken all our expectations of big guitars, soaring vocals and melodic Hard Rock anthems and replaced them with an alternative/industrial sound complete with multi-tracked vocal enhancements, sound effects, fuzzed guitars and rap/dance style flourishes kicked in. Add in co-lead vocals from Gillette and then take the overtly sexual lyrics about Lita & Jim’s private life and you get a mess. I’m all for Lita collaborating with her husband (who has an enourmous set of pipes, remember Nitro and the wine glass shattering?) but Jim really doesn’t add anything here except for growls and enhanced grungy singing…..I wouldn’t even call it singing, more spoken word at times. I’m all for sexual lyrics, that’s what 90% of the ’80s were about, but I really don’t need to get a musical snapshot of Lita & Jim going at it. I’m just not really sure what kind of direction Lita was going for. She says she wanted to make a heavy modern album but does that mean you take out all of the elements that make a good song? Even her vocals are spotty and I thought she had a good voice back in the day. I would go song by song but everything sounds the same to me and that’s definitely not good. The production is good but the material is awful.

Bottom Line:
A wasted comeback. I expected a heavy album, a modern Hard Rock album, but where is the Lita Ford we all knew from back in her ’80s heyday? Is she still in the Caribbean? This just isn’t a Lita Ford album. I’ve given this a lot of spins so I could find something positive but I just can’t find one song I remotely like. Everything sounds the same from the down-tuned guitars, to the vocals being messed with, to the industrial metal feel, to the terrible lyrics. Did I cover everything? Lita had the chance to make a good Metal record with an updated sound showcasing her excellent talents on guitar and vocals but she has easily squandered the opportunity. This has to be one of the biggest disappointments for me of the last four years of this website…..if this isn’t my Worst Album of 2009 then I don’t know what will top it!

Favorite Songs: none

Alice Cooper – Halloween Public Service Announcement & ‘Keepin’ Halloween Alive’ (2009) videos

Posted in Now Playing, Video, Videos with tags , , , , , , , , , , , , , , on October 31, 2009 by rhodeislandrock

2009 Heavy Metal Halloween Top 10

Posted in Now Playing with tags , , , , , , , , , , , , , , , , , , , , , , on October 31, 2009 by rhodeislandrock

KISS pumpkin

My favorite time of year is here again…..Halloween!

A couple of years ago, I did the 2007 Heavy Metal Halloween Top 10. What I was trying to do was pick out some ongs that were creepy, spooky and fit into the Halloween mood. Of course I left out a few obvious ones for my own personal picks. Last year I forgot to do one and I got a ton of email to do one for Halloween 2009 so I went through my collection again. I tried not to repeat any songs from the 2007 list, with one obvious exception, so here’s this year’s list (in no particular order except #1)…..

  1. Black Sabbath – ‘Black Sabbath’
  2. Helloween – ‘Halloween’
  3. King Diamond – ‘Halloween’
  4. Alice Cooper – ‘Killer’
  5. Ozzy Osbourne – ‘Mr. Crowley’
  6. Fastway – ‘Trick Or Treat’
  7. W.A.S.P. – ‘Scream Until You Like It’
  8. Helloween – ‘Escalation 666′
  9. King Diamond – ‘Voodoo’
  10. Iron Maiden – ‘22 Acacia Avenue’

Bonus Track: Alice Cooper – ‘Keepin’ Halloween Alive’ (new song for Halloween 2009)

Ace Frehley – Anomaly (2009)

Posted in Album Reviews with tags , , , , , , , , , , , , , , , on October 31, 2009 by rhodeislandrock

ace-frehley-anomaly-2009

Ace Frehley – Anomaly (2009, Bronx Born Records)

  1. Foxy & Free
  2. Outer Space
  3. Pain In The Neck
  4. Fox On The Run
  5. Genghis Khan
  6. Too Many Faces
  7. Change The World
  8. Space Bear
  9. A Little Below The Angels
  10. Sister
  11. It’s A Great Life
  12. Fractured Quantum

Musicians:
Ace Frehley – Vocals, Lead & Rhythm Guitars
Anton Fig – Drums
Anthony Esposito – Bass
Derrek Hawkins – Rhythm Guitar (track 2)
Scot Coogan – Background Vocals (track 3)
Marti Frederiksen – Bass, Keyboards, Hammond Organ, Drums, Percussion, Strings & Background Vocals (tracks 4, 9 & 12)
Brian Tichy – Drums  (tracks 4 & 10)
Pearl Aday – Background Vocals (track 5)
Karl Kimmel – Background Vocals (track 5)
Jay Messina – Tracking (tracks 1, 3, 5, 6,7,8,11)
Rich Tozzoli – Overdubs (tracks 1,3,5,6,7,8,10, 11)
Alex Salzman – Tracking & Overdubs (tracks 2, 5, 9, 12)

Producers: Ace Frehley, Frank Munoz, & Marti Frederiksen (track 4)

Country: USA

Total Time = 54:46

Ace Frehley
Ace Frehley MySpace page
Ace Frehley Facebook page
Ace Frehley Twitter page

It’s been 20 long years since we had a new Ace Frehley album, October of 1989 was when TROUBLE WALKIN’ hit record store racks and KISS fans like myself bought their copy. Ace Frehley had been my favorite member of KISS for years so anytime Ace was in the spotlight after his departure from KISS I paid full attention. I was a big fan of Frehley’s Comet and I tracked Ace the best I could from Rock mags, KISS newsletters and, of course, KISS conventions. It’s hard to believe that it’s been 20 years since the last new Ace record but now we finally have ANOMALY! So what was the delay? Sobriety…..Ace has been sober now for three years. KISS…..the Reunion extended into a 6+ year odyssey that included 3 world tours and an album. Doesn’t matter now, it’s 2009 and Ace is back again!

Keep in mind that Ace Frehley has a very distinctive guitar tone and singing voice so a lot of the songs might sound the same in some parts and they are going to definitely sound very KISS-like. Ace is part of a big Hard Rock legacy with KISS so the sound will be familiar. ANOMALY starts off with the modern sounding ‘Foxy & Free’ that is chock full of thick Ace riffs and a heavy solo…..I’m impressed already. Sometimes you can tell how good an album will be by the first song and Ace rips right into the album with ‘Foxy & Free’, it’s got a solid groove that definitely could fit on KISS latest album. Moving into ‘Outer Space’, the album’s resident “spaceman persona” song, is another trip into familiar KISS territory a la ‘Rocket Ride’ & ‘Into the Void’. Definitely a good swirling guitar trackwith solid lyrics that pair up with the Space Ace’s image, the chorus had me singing right along. Third big guitar track in a row with ‘Pain In The Neck’ (written about his former bandmates perhaps?) and it has that smooth groove that Ace always pulls out with ease as well as a solid solo. ‘Pain In The Neck’ sounds a little dated but in a good way, the song could easily fit into any of his Frehley’s Comet/Ace Frehley records from the ’80s.

Ace is no stranger to doing a cover tune, his version of The Move/E.L.O.’s ‘Do Ya’ is very good and got some radio and MTV exposure back in ‘89 and he also put his own version of KISS’ ‘Hide Your Heart’ to vinyl the same year. Considering that I like Ace’s versions of those two songs better, I had high hopes for The Sweet’s ‘Fox On The Run’. Not many people remember Sweet so it’s good to hear Ace pay some homage to a real classic Glam Rock act. Normally I can’t stand covers but this really is a good one and fits Ace’s personality to a tee. ‘Genghis Khan’ is mostly an instrumental that showcases Ace’s six-string prowess, but it has a few vocal lines. The song has this varied, trippy, loose groove to it that just sounds like a cool jam with a few words thrown in where the chorus might be. I’m not sure there’s any meaning to the lyrics, they’re more of an afterthought I think than an actual part of the song. Maybe Ace didn’t want to confuse people with more than one instrumental? You know an Ace album is going to have a ‘Fractured’ on it so maybe the lyrics were thrown onto ‘Genghis Khan’ to separate them? Either way it’s a solid instrumental and Ace’s playing is superb, the guy is a talented guitarist and that gets overlooked because he played some very basic guitar during KISS’ ’70s career. ‘Too Many Faces’ is another rocker that seems autobiographical, maybe talking about Ace’s battle with substance abuse. There’s some solid layered guitar here but the song sounds similar to ‘Pain In The Neck’ in some spots.

ANOMALY slows down a little with the ballad ‘Change the World’, a song that’s very melodic and acoustically driven. There’s definitely a Beatles influence here and it definitely sounds like Ace has taken a new outlook on life with his newfound sobriety. Listen to the solo, there’s a lot of emotion wrapped in there and it has a great tone. Another long instrumental comes in ‘Space Bear’…..I’m not sure we needed another one with ‘Genghis Khan’ before it and ‘Fractured Quantum’ on it’s way. ‘Space Bear’ is definitely heavier than ‘Genghis Khan’, it’s more deliberate in it’s heavy Hard Rock sound, and it sounds like it could have fit in on earlier Ace efforts, but it also sounds like an unfinished song idea. Another autobiographical ballad about Ace’s battle with his addictions follows in ‘A Little Below The Angels’…..the mellower version of ‘Rock Soldiers’? Melodic sincere lyrics over a simple acoustic guitar and then the band kicks in with a classic rock sounding rhythm and organ. There are some cool guitar fills mixed right in and the song features Ace’s daughter Monique on background vocals as part of the choir. The song has a grand feel to it and it fits in well with Ace’s current life. Heavy Rock is back again with ‘Sister’, a very thick guitar track with a rolling main riff and driving drums. This is straightforward power chords and basic rhythm with a great guitar solo mixed in, I’ll bet this is put in the live set because it’s real heavy and loud.

‘It’s A Great Life’ fits in again with Ace’s new found sober attitude lyrically. It’s a melodic acoustic driven song that sounds a little funky Pop Rock thing in some spots, it’s a decent song but not nearly as great as the other songs on the album. Would it be an Ace Frehley album without a ‘Fractured’ insturmental? The fourth installment is ‘Fractured Quantum’ and it is definitely a highlight of the album, the best instrumental of the album! Technically, that is the end of the proper album but those of you who bought ANOMALY on iTunes get a bonus track…..’The Return Of Space Bear’. I’ve only heard the 30 second sample iTunes gives you but, from what I’ve read online, it’s the ‘Space Bear’ instrumental with some effects and vocal lines re-done from the infamous Tom Snyder interview with KISS in 1980. I can’t really say whether the track is good or not but I think the fact that you can only get the track as part of the FULL album download and not as a single track stinks! If the song were available on the vinyl version, I’d pick it up…..maybe a Japanese pressing on CD will have it as a bonus track?

Bottom Line:
A great comeback for Ace Frehley! His new lease on life with his sobriety has certainly brought out his creativity and ANOMALY is definitely a solid album. The album is mainly electric guitar driven rockers mixed with a couple acoustic ballads that show off Ace’s melodic side, it’s definitely a solid mix with enough emotion and introspection lyrically. For me the best songs are the hard rockers (‘Sister’, ‘Foxy & Free’, ‘Outer Space’, etc.) but the slower acoustical ballads (‘Change The World’, ‘A Little Below The Angels’) show that Ace can branch out and do more melodic pieces. I even like the cover of ‘Fox On The Run’! The only drawback to the album is that there are three instrumentals, four if you get it from iTunes! ‘Space Bear’ seems to be the odd one out. Overall ANOMALY is a great album and I’ve been enjoying it since it came out mid-September. Just like the new KISS album, I wanted to give ANOMALY a lot of listening time not only to enjoy it but so my critical side wouldn’t be influenced by my diehard KISS fandom. I’ve been looking forward to a new Ace Frehley album for 20 years…..it’s finally here and I’m happy!

Favorite Songs:
‘Foxy & Free’, ‘Outer Space’, ‘Fox On The Run’, ‘Sister’, ‘Change The World’, ‘Genghis Khan’

The 69 Eyes – Back In Blood (2009)

Posted in Album Reviews with tags , , , , , , , , , , , , , on October 30, 2009 by rhodeislandrock

69 eyes - back in blood (2009)

The 69 Eyes – Back In Blood (2009, The End Records)

  1. Back In Blood
  2. We Own the Night
  3. Dead ‘N Gone
  4. The Good, The Bad & The Undead
  5. Kiss Me Undead
  6. Lips Of Blood
  7. Dead Girls Are Easy
  8. Night Watch
  9. Some Kind Of Magick
  10. Hunger
  11. Susperia Snow White
  12. Eternal

Band Lineup:
Jyrki 69 – Vocals
Jussi 69 – Drums
Bazie – Guitar
Timo-Timo – Guitar
Archzie – Bass

Producer: Matt Hyde

Country: Finland

Total Time = 48:38

The 69 Eyes
The 69 Eyes MySpace page
The End Records

BACK IN BLOOD marks the tenth album from Finnish goth metallers The 69 Eyes…..with all the latest vampire trends in music movies and television lately it’s actaully refreshing to know that the band isn’t jumping on the latest trends. The 69 Eyes have been around since 1989, and released their first album in 1992, playing their brand of Gothic Metal mixed with Hard Rock bombast. I’ve read about the band and seen the new albums fly off my favorite record store’s shelves over the years but I never really bothered to check out the music…..the whole vampire/goth thing just hadn’t been my thing. Obviously image doesn’t make the music so I figure that even the band probably doesn’t take the whole Goth thing too seriously. I’ve read a few reviews saying how good the album is, almost like party Hard Rock, so I figured I’d finally give The 69 Eyes a chance.

After listening to BACK IN BLOOD a few times I drew the comparisons immeadiately to The Cult, Type O Negative, H.I.M. and latter day Tiamat. The music is your basic Hard Rock like Motley Crue mixed with an industrial/dance element and that spooky goth thing…..maybe like Rob Zombie solo? I know it sounds like a weird combination but it actually blends together well to form a catchy, driving rhythm. It’s haunting party Rock. Lead singer Jyrki 69 has a deep voice that reminds me of Brad Roberts from the Canadian Rock band Crash Test Dummies mixed with Peter Steele of Type O Negative. The vocals bring everything together because Jyrki 69’s deep voice lends that haunting “undead” sound to the music. The opening title track is upbeat and hard charging like an early Crue song from the SHOUT-era and it immeadiately caught my attention. The vocals aren’t completely deep and dark but more like Ian Astbury from The Cult and there is some excellent guitar work here both with the riffs and the solos. ‘We Own The Night’ is very influenced by The Cult, especially with the guitars, and the “dance” element starts to creep in. I can honestly see where this kind of music is popular among the teenagers that frequent Hot Topic stores in malls across the U.S. It’s not that the song is bad, or that the danceable rhythms are so overt, it’s just a little too much for your seasoned Metalhead like myself. ‘Dead ‘N Gone’ moves into the same category as the song before but it has an even more Pop/AOR/Melodic Rock sense. The singing and rhythm is tailor made for mainstream audiences in the U.S., how The 69 Eyes haven’t crossed over into the mainstream is beyond me! ‘Dead And Gone’ is very catchy, very rhythmic, but I like the lyrics are what sets it apart. ‘The Good, The Bad, The Undead’ has a touch of AC/DC to it, or maybe Airbourne for the younger metallers out there, and is definitely one of those anthemic, sing-a-long tracks that go over well live.

The opening of ‘Kiss The Undead’ sounds very heavy and very ’80s Hard Rock but it moves into a melodic danceable groove come the chorus and all I can think about is all those New Wave/Goth/Alternative bands like The Cure and this is where I know the album is losing me. Third song in a row with “dead” in the title, second song with “undead” in the title…..you kind of get the picture of where the record’s direction is going. ‘Lips Of Blood’ has a late ’90s Tiamat sound, when Tiamat went into Doom/Goth Metal and left Death Metal way behind. ‘Dead Girls Are Easy’ brings back the fire of the opening track with a more straightforward Hard Rock approach but ‘Night Watch’ and ‘Some Kind Of Magick’ move back into the dancing Goth style, although I like the faster pace of the latter. ‘Hunger’ is the closest thing to a ballad on BACK IN BLOOD and I like the piano that starts the song off and weaves it’s way in and out of the song. The chorus is melodic and it sounds pretty much like the rest of the songs. ‘Susperia Snow White’ is more of a driving Hard Rock song but it sounds similar to the others and ‘Eternal’ is acoustic guitar based with atmospheric keyboards but it just doesn’t stick with me. This is the second ballad of the album and it has a grand feel to it but I feel like it’s all been done before.

Bottom Line:
For never hearing the The 69 Eyes, I’d say that BACK IN BLOOD is a pretty good album with a different sound than what I’m used to. The problem I had with the songs was that once you’ve heard the first four or five then you’ve heard them all. I really didn’t hear anything specific to distinguish some of the tracks on the second half of the album to the tracks on the first half. That doesn’t necessarily mean that the songs are bad, just repetitive. Once you’ve heard the first four songs, you know where the album is going. There was enough here to make me check out some other 69 Eyes’ albums but in due time. If you like Gothic Metal mixed with Doom and Melodic Rock then you might get into this. If you are part of the teenage Goth culture then this is definitely for you.

Standout Songs:
‘Back In Blood’, ‘The Good, The Bad, The Undead’, ‘Dead Girls Are Easy’, ‘Lips Of Blood’

Press Release: Overkill – Ironbound (2010) artwork, tracklisting, formats & release dates announced

Posted in Metal News & Commentary with tags , , , , , , , , , , , , , , , , on October 30, 2009 by rhodeislandrock

Overkill - Ironbound (2009)

From Bravewords.com:

OVERKILL have signed to Nuclear Blast Records for a multi-release deal (world excl. North America). The first offering will be available early 2010 titled Ironbound – a true ‘thrasher-piece’!

“Good to be with a label that understands what Overkill are about and what metal is about in 2010, exciting!” – Bobby Blitz

“Nuclear Blast is very stoked to announce the signing of legendary New Jersey thrashers Overkill!! Growing up with classics such as ‘Feel The Fire’, ‘Taking Over’ and ‘The Years Of Decay’ and seeing the band countless times playing live it is sure to say that one of our favourite bands of all time has finally found their home at the powerhouse that Nuclear Blast is today! We are very much looking forward to start working with Overkill and are eager to release their new album Ironbound to the masses! A new album on which they have returned to their old school thrash roots! The band is already working on a new European tour for 2010. Welcome to the Nuclear Family!” – Jaap Wagemaker, A&R

Ironbound tracklisting and formats:

‘The Green And Black’
‘Ironbound’
‘Bring Me The Night’
‘The Goal Is Your Soul’
‘Give A Little’
‘Endless War’
‘The Head And Heart’
‘In Vain’
‘Killing For A Living’
‘The SRC’

- Ltd. Digipak available
- CD Jewelcase
- LP (180g vinyl) in Gatefold
- LP (180 g green vinyl) in Gatefold – Nuclear Blast Mailorder exclusive
- Strictly Limited Mailorder Edition

Release date: January 29th, 2010.